Love, unity and social justice are elements of the human experience that are central to the Christmas holiday season. It’s a time, not only of celebration, but of personal reflection and a renewal of the belief that, together, we can make the world a better, kinder place, full of hope and generosity toward one another. Perhaps that’s why the Christmas season is ideally suited for the coming concert by reggae legend, Clinton Fearon as he takes the stage with Caleb Hart. Reggae music is, after all, about social justice, love and the hope for the best that the human soul can muster. “The music is great because it shows reality, but it also shows how things should be between people,” Fearon says. Currently on tour in Brazil, Fearon says he loves coming back to Victoria for a Christmas show, because he loves the community and its people. “I live in Seattle right now, but I try to get up to Victoria whenever I can. The people are wonderful there,” he says. Born in Kingston, Jamaica, Fearon has been performing his music for more than 50 years, finding his inspiration at his local Seventh-day Adventist church. He performed with The Gladiators and later reorganized his musical vision by forming The Boogie Brown Band. That group’s debut album, Disturb the Devil , marked the beginning of Fearon’s successful solo career. He has toured throughout Europe, the United States, Africa, and, well, just about anywhere you can imagine. But what is it about reggae that endures and brings out the best in the human spirit? “Beyond the sense of hope, the music has a heartbeat. The rhythms touch the soul and, at Christmas, that connection is more important than ever.” That sentiment is shared by Caleb Hart, who will appear alongside Fearon at their coming Christmas show. “First off, I grew up listening to Clinton Fearon. I was born in Tobago and the music...I call it Island soul... was a huge part of who I am. I always dreamed of performing with Clinton, and I finally have the chance this Christmas. It’s my own special Christmas gift,” Hart says. Hart has managed to make his own mark on the reggae scene, having toured Australia, the U.S., New Zealand, Europe, Africa and the Caribbean for just over a decade. In that time, he’s played an astounding 1,150 shows and says that he loves the music a bit more with every performance. “I released my latest album, Emancipation recently. It was all written and performed here in Victoria and it’s a brief journey through the Caribbean. Island Soul is epitomized in the release and I’m looking forward to performing some of it at the concert,” he says. “The Christmas concert and reggae are, to me, a perfect blend. The spirit of Christmas is, at its heart, the same spirit that Christmas is meant to embody,” Hart says. “I know that we’ll be able to touch people with the music.” The Acoustic Reggae Holiday Celebration happens Friday, Dec. 13 at the White Eagle Polish Hall (90 Dock St.). Tickets are available at ticketweb.ca/event/acoustic-reggae-holiday-celebration-ft-white-eagle-polish-hall-tickets.
Seibert misses an extra point late as the Commanders lose their 3rd in a row, 34-26 to the CowboysSample_Smart Inhalers Market to See Rapid Expansion Over the Next Decade 2024-2032 12-20-2024 06:44 PM CET | Health & Medicine Press release from: Cognate Insights Sample_Smart Inhalers Market Latest Market Overview The global smart inhalers market is projected to reach a market size of USD 2.5 billion by 2024, growing at a compound annual growth rate (CAGR) of 22.8% from 2024 to 2032. The increasing prevalence of chronic respiratory diseases such as asthma and chronic obstructive pulmonary disease (COPD), along with the growing demand for personalized healthcare solutions, is driving the expansion of the smart inhalers market. These devices, which combine inhalers with digital technology, enable patients to track and monitor their medication usage, enhancing adherence to prescribed treatments and improving health outcomes. The market is further bolstered by advancements in sensor technology, mobile applications, and data analytics, making smart inhalers an integral part of modern respiratory care. The Sample_Smart Inhalers Market has experienced steady growth in recent years and is expected to continue expanding at a strong pace from 2024 to 2032. This analysis offers a comprehensive overview, providing valuable insights into key trends and developments within the Sample_Smart Inhalers industry. These findings equip business leaders with the necessary knowledge to devise more effective strategies and enhance profitability. Furthermore, the report serves as a useful resource for new and emerging businesses, helping them make informed decisions as they navigate the market and seek growth opportunities. The major players in the global smart inhalers market include: Propeller Health (USA) - Revenue: USD 100 million AstraZeneca (UK) - Revenue: USD 26.6 billion Teva Pharmaceutical Industries Ltd. (Israel) - Revenue: USD 15.9 billion Vectura Group (UK) - Revenue: USD 208.2 million GlaxoSmithKline (UK) - Revenue: USD 36.3 billion Get Latest PDF Sample Report @ https://www.cognateinsights.com/request-sample/samplesmart-inhalers-market-research Our Report covers global as well as regional markets and provides an in-depth analysis of the overall growth prospects of the market. Global market trend analysis including historical data, estimates to 2024, and compound annual growth rate (CAGR) forecast to 2032 is given based on qualitative and quantitative analysis of the market segments involving economic and non-economic factors. Furthermore, it reveals the comprehensive competitive landscape of the global market, the current and future market prospects of the industry, and the growth opportunities and drivers as well as challenges and constraints in emerging and emerging markets. Global Sample_Smart Inhalers Market Landscape and Future Pathways: North America: United States Canada Europe: Germany France U.K. Italy Russia Asia-Pacific: China Japan South Korea India Australia China Taiwan Indonesia Thailand Malaysia Latin America: Mexico Brazil Argentina Korea Colombia Middle East & Africa: Turkey Saudi Arabia UAE Korea Speak to Our Analyst for A Discussion on The Above Findings, And Ask for A Discount on The Report @ https://www.cognateinsights.com/check-discount/samplesmart-inhalers-market-research Key drivers and challenges influencing the Sample_Smart Inhalers market: Regional Analysis: The report involves examining the Sample_Smart Inhalers market at a regional or national level. Report analyses regional factors such as government incentives, infrastructure development, economic conditions, and consumer behaviour to identify variations and opportunities within different markets. 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For In-Depth Competitive Analysis - Purchase this Report now at @ https://www.cognateinsights.com/purchase-report/samplesmart-inhalers-market-research Contact Us: Cognate Insights Web: www.cognateinsights.com Email: info@cognateinsights.com Phone: +91 8424946476 About Us: We are leaders in market analytics, business research, and consulting services for Fortune 500 companies, start-ups, financial & government institutions. Since we understand the criticality of data and insights, we have associated with the top publishers and research firms all specialized in specific domains, ensuring you will receive the most reliable and up to date research data available. To be at our client's disposal whenever they need help on market research and consulting services. We also aim to be their business partners when it comes to making critical business decisions around new market entry, M&A, competitive Intelligence and strategy. This release was published on openPR.
Writer-director Marielle Heller has a gift for making familiar emotions, characters, and situations feel fresh. Whether she’s dealing with a type as well known as the embittered failed writer (Melissa McCarthy in Can You Ever Forgive Me? ) or an icon as universal as Mr. Rogers (Tom Hanks in A Beautiful Day in the Neighborhood ), her movies lend them additional dimension and nuance. That’s true of her new dark-comedy sort-of-a-werewolf-film Nightbitch as well. Here, the lead character is so subsumed into her new-parent identity that she’s never even named: Mother (Amy Adams) is a former artist now working as a stay-at-home mom in the suburbs because Husband (Scoot McNairy) has the more consistent, higher-paying job. For a while, it seems like Heller will bring her attentive eye to detail to this well-worn setup, even when Nightbitch appears to be leaning toward obvious tropes. Early on, the film establishes a running motif based around a fairly hoary comic concept: that editing trick where it appears a character has said or done something genuinely provocative, upending social order in response to another person’s dumb question or galling action... until a cut back in time reveals that she was only imagining that cathartic action, and she actually responds meekly or politely, keeping her true feelings bottled inside. In theory, that’s hacky stuff. But Heller holds the camera on Adams in these moments — in her imagined honesty and her deflated real-world lack of it. And what lingers afterward isn’t necessarily frustration that Mother hasn’t told anyone off. Instead, it’s a pervasive feeling of loneliness. A sitcom-level gag becomes, on Adams’ face, an ineffable feeling of loss. That articulation of disappointment is exactly what many full-time parents feel they must lose in order to get through the day. Nightbitch gets plenty of other things right about the messiness of motherhood and the sometimes-conflicting primal instincts that accompany it. For example, Mother’s toddler actually behaves like a real 2-year-old. This may sound like a minor concern, but most movies throw up their hands at the prospect of distinguishing between kids between the ages of 0 and 6. Heller, by contrast, takes care to capture the beautiful, maddening strangeness of a toddler. There’s a small moment when Mother carries her child into a library for storytime, and the kid semi-nonsensically murmurs “They can’t stop us” about the woman at the desk. If this isn’t a real toddler’s ad-lib, it sure sounds like one, and Heller smartly leaves it in the movie. The film, based on Rachel Yoder’s 2021 novel of the same name, isn’t purely observational, however. When Mother is left even more on her own by Husband’s business trips (and his general fecklessness), she starts feeling a transformation into a more instinctive, animalistic version of herself. Eating in public, she wolfs down her food with utensils-free abandon, and encourages her young son to do the same, regardless of the gawking they receive. She notices hairs growing in odd places, initially assuming it’s just one more post-pregnancy indignity. At the park, she discovers a newfound kinship with roving, seemingly ownerless dogs. Eventually, she’s running with them at night. Yes, Nightbitch is a werewolf story — sort of. Whether trying to keep the story grounded or Mother’s transformation ambiguous (does she literally shape-shift, or just tap into primal urges?), Heller treats the story’s body-horror elements gingerly, cautiously. She also has the misfortune to do so just months after moviegoers fell in love with the unapologetic wildness of The Substance . That movie similarly illustrates something many people already understood about the female experience: Women are valued and commodified for their bodies, then heartlessly discarded when they show normal human signs of aging. The thrills in The Substance come from the zeal writer-director Coralie Fargeat poured into her ideas, physicalizing them into memorable grotesquerie. For all Heller’s scrupulous dedication to the realities of parenthood — Mother’s worn body, the inevitable imbalances, the absolute rage with no easy target — she doesn’t seem interested in going for broke in the same way, particularly around her central conceit. Obviously, Heller’s movie has no formal connection to The Substance , was completed before The Substance was released, and aims for a completely different tone. It’s not that Nightbitch cries out to be remodeled as an arch, gory, knowingly broad satire crammed with body horror. But the movie tantalizingly promises weirdness growing from within, then wilts into domestic melodrama. The female dog, with its name claimed as a common slur and its combination of wildness and domestication, has a lot of metaphorical potential. So why does Heller insist on shoving all that to one side to focus on marital problems and possible reconciliations that both emerge too easily? Nightbitch ’s final half hour or so is especially baffling. After concluding that there are no easy solutions to the push-pull between a mother’s parenting instincts and her autonomy, the movie proceeds to make up a bunch of them anyway, with a decisiveness that I fear is supposed to read as empowering. That’s especially disappointing given Amy Adams’ fiercely committed, vanity-free performance as Mother. Alternately playing with and against her image as an essentially sunny, optimistic throwback star, she’s the perfect performer to embody the contradictions of motherhood: utterly warm and dedicated to her son, yet pointedly and productively lacking the righteousness of a true believer. She’s too hyper-aware of what she’s lost by focusing on parenthood. Unfortunately, the movie seems to think that stranding Adams in the movie will cleverly evoke Mother’s loneliness, meaning that McNairy and the rest of the supporting cast (Zoë Chao, Mary Holland, and Ella Thomas as younger fellow moms; the original 1977 Suspiria ’s Jessica Harper as a librarian) are given nothing roles. Nightbitch has an ample supply of sharp observations, but it retracts its claws too soon and too easily. It becomes a text on self-help — something The Substance clearly, and thrillingly, portrays as out of reach. Nightbitch debuts in theaters on Dec. 6. 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US proposes voluntary guidelines for self-driving vehicles in waning days of Biden administrationThe military's on his gravity-defying sweep across the globe will carry on this Christmas Eve, , officials said Friday. Each year, at least 100,000 kids call into the North American Aerospace Defense Command to inquire about Santa’s location. — in nine languages — as St. Nick swoops along the earth's meridians. “We fully expect for Santa to take flight on Dec. 24 and NORAD will track him," the U.S.-Canadian agency said in a statement. On any other night, NORAD is scanning the heavens , such as last year's . But on Christmas Eve, volunteers in Colorado Springs, Colorado, are fielding questions like, “When is Santa coming to my house?” and, “Am I on the naughty or nice list?” The endeavor is supported by local and corporate sponsors, who also help shield the tradition from Washington dysfunction. Bob Sommers, 63, a civilian contractor and NORAD volunteer, told The Associated Press that there are "screams and giggles and laughter” when families call in, usually on speakerphone. Sommers often says on the call that everyone must be asleep before Santa arrives, prompting parents to say, "Do you hear what he said? We got to go to bed early." NORAD's annual tracking of Santa has endured since , predating and . Here's how it began and why the phones keep ringing. The origin story is Hollywood-esque It started with a child's accidental phone call in 1955. The Colorado Springs newspaper printed a Sears advertisement that encouraged children to call Santa, listing a phone number. A boy called. But he reached the Continental Air Defense Command, now NORAD, a joint U.S. and Canadian effort to spot potential enemy attacks. Tensions were growing with the Soviet Union, along with anxieties about nuclear war. Air Force Col. Harry W. Shoup picked up an emergency-only “red phone” and was greeted by a tiny voice that began to recite a Christmas wish list. “He went on a little bit, and he takes a breath, then says, ‘Hey, you’re not Santa,’” Shoup told The Associated Press in 1999. Realizing an explanation would be lost on the youngster, Shoup summoned a deep, jolly voice and replied, “Ho, ho, ho! Yes, I am Santa Claus. Have you been a good boy?” Shoup said he learned from the boy's mother that Sears mistakenly printed the top-secret number. He hung up, but the phone soon rang again with a young girl reciting her Christmas list. Fifty calls a day followed, he said. In the pre-digital age, the agency used a 60-by-80-foot (18-by-24-meter) plexiglass map of North America to track unidentified objects. A staff member jokingly drew Santa and his sleigh over the North Pole. The tradition was born. “Note to the kiddies,” began an AP story from Colorado Springs on Dec. 23, 1955. “Santa Claus Friday was assured safe passage into the United States by the Continental Air Defense Command.” In a likely reference to the Soviets, the article noted that Santa was guarded against possible attack from "those who do not believe in Christmas.” Is the origin story humbug? Some grinchy journalists have nitpicked Shoup's story, questioning whether a misprint or a misdial prompted the boy's call. In 2014, tech news site Gizmodo from Dec. 1, 1955, about a child's call to Shoup. Published in the Pasadena Independent, the article said the child reversed two digits in the Sears number. "When a childish voice asked COC commander Col. Harry Shoup, if there was a Santa Claus at the North Pole, he answered much more roughly than he should — considering the season: ‘There may be a guy called Santa Claus at the North Pole, but he’s not the one I worry about coming from that direction,'" Shoup said in the brief piece. In 2015, The Atlantic magazine to the secret line, while noting that Shoup had a flair for public relations. Phone calls aside, Shoup was indeed media savvy. In 1986, he told the Scripps Howard News Service that he recognized an opportunity when a staff member drew Santa on the glass map in 1955. A lieutenant colonel promised to have it erased. But Shoup said, “You leave it right there,” and summoned public affairs. Shoup wanted to boost morale for the troops and public alike. “Why, it made the military look good — like we’re not all a bunch of snobs who don’t care about Santa Claus,” he said. Shoup died in 2009. His children that it was a misprinted Sears ad that prompted the phone calls. “And later in life he got letters from all over the world,” said Terri Van Keuren, a daughter. "People saying ‘Thank you, Colonel, for having, you know, this sense of humor.’” A rare addition to Santa's story NORAD's tradition is one of the few modern additions to the centuries-old Santa story that have endured, according to Gerry Bowler, a Canadian historian who spoke to the AP in 2010. Ad campaigns or movies try to “kidnap” Santa for commercial purposes, said Bowler, who wrote “Santa Claus: A Biography.” NORAD, by contrast, takes an essential element of Santa's story and views it through a technological lens. In a recent interview with the AP, Air Force Lt. Gen. Case Cunningham explained that NORAD radars in Alaska and Canada — known as the northern warning system — are the first to detect Santa. He leaves the North Pole and typically heads for the international dateline in the Pacific Ocean. From there he moves west, following the night. “That's when the satellite systems we use to track and identify targets of interest every single day start to kick in,” Cunningham said. “A probably little-known fact is that Rudolph’s nose that glows red emanates a lot of heat. And so those satellites track (Santa) through that heat source.” NORAD has an app and website, , that will track Santa on Christmas Eve from 4 a.m. to midnight, mountain standard time. People can call 1-877-HI-NORAD to ask live operators about Santa’s location from 6 a.m. to midnight, mountain time.